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#52
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Re: Party album of the CENTURY
sorry for bringing this back up.
but i retreated from a good discussion with kid cue because i realized he was sounding more right and i was sounding more lost. so i just decided to listen to it until i: *came back to what i want to say and to show what about it made it so damn appealing. communicate it even if you dont feel it. *could explain it in less than three sentences. i realized in the "california here i come" bit, that it's not the spped of the samples used, but it's the successive speed what which i both laugh and say wtf. i initially pushed how disorienting it was focusing on the music, when really it was just me constantly getting that tiny confusion/thrill at every stupid decision that had me both laughing AND going with it, having fun. plus the fact that i hear it as coherent rather than novelty pushed into me arguing for it as much as i did. okay peace. |
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#53
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Re: Party album of the CENTURY
Quote:
![]() I think the speed may be this artist's key distinction. It seems to boil down to how you hear it; for me, the endless succession of musical quips only reminds me, repeatedly, of why I tired of supposed auteurs sampling pop. I did however recently hear several more clips of his work, and enjoyed them a bit more than the ones referenced here. Mind you, not enough to change my mind.
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