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#27
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Re: High Life - Eno/Hyde new NEW record
Okay, so: I liked Edgeland for its earnestness and melodies. I disliked Someday World for its half- baked retro. Really wanted to like High Life, but...
Who here is a musician or producer? If yes, you probably realize pretty quickly what Karl and BE are up to. Pure jamming. Listen, I'm a bad guitarist, I'll admit, but I've always had this suspicion about Karl that he is interested in textures and hooks but not really very technically astute. While UW tunes may not require much more, really listen to his guitar motifs... Simple chord strums or several note solos that, in the live recordings, often include some bum notes. Now that's fine...Karl's a talented musician and it must be demanding to improvize especially given the minimal role of guitars in most UW tracks. However, getting back to High Life, the "experimental" nature and rhythmic base is pretty weak. IMHO. A few licks by any guitarist would have given Eno enough material to loop and cut up as he has done here. A few ideas are interesting, but get looped for many minutes. Counterpoint is fine but I get the sense as a very novice producer that this was generated from a single live jam. A s I said about Someday World, not every track needs to be released. A shame because I hoped they'd have some quality control after all this time. Listening to High Life, I oscillate between being annoyed with the repetition and numbed by it. Either way, it could be so much more. Thoughts?
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Believe in Billy Records Last edited by holden; 07-20-2014 at 04:21 PM. |
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