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  #1  
Old 09-07-2005, 01:08 PM
testudo
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Re: The book that will never see the light of day or dark of night for that matter
Quote:
Originally Posted by aNt
i have it its tops!
i don*t, i don*t know;

is it available to the rest of the world#
  #2  
Old 09-13-2005, 08:35 AM
Céj
Alice in the underground
 
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Re: The book that will never see the light of day or dark of night for that matter
according to this it's October 2005
  #3  
Old 09-13-2005, 11:02 AM
*_*
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Re: The book that will never see the light of day or dark of night for that matter
hopefully. we'll see.
  #4  
Old 10-12-2005, 03:41 PM
Céj
Alice in the underground
 
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Re: The book that will never see the light of day or dark of night for that matter
and it's november now... click

new pictures here
  #5  
Old 10-13-2005, 02:43 PM
big screen satellite
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Re: The book that will never see the light of day or dark of night for that matter
having seen the text in this book (on the link above) its interesting to see that the font is the same as belly of st paul...which john also worked on...
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  #6  
Old 10-14-2005, 09:18 AM
*_*
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Re: The book that will never see the light of day or dark of night for that matter
Quote:
Originally Posted by big screen satellite
having seen the text in this book (on the link above) its interesting to see that the font is the same as belly of st paul...which john also worked on...
noticed that too. many typographical elements found in tomato/uw stuff has been pretty consistent for about a decade now.
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  #7  
Old 10-30-2005, 11:00 AM
nuxx
dirty since 2001
 
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Re: The book that will never see the light of day or dark of night for that matter
EDIT: nevermind...

Last edited by nuxx; 10-30-2005 at 11:20 AM.
  #8  
Old 11-01-2005, 07:15 AM
noisegeek
Sweet in Winter
 
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Re: The book that will never see the light of day or dark of night for that matter
Quote:
Originally Posted by *_*
noticed that too. many typographical elements found in tomato/uw stuff has been pretty consistent for about a decade now.
I think the consistency comes from tomato/john warwicker utilizing "classic" typefaces such as Helvetica, and Jenson rather than trying to design/find a new font for every project. The art is in the adaptation of traditional forms to communicate ideas in a new way.
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