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  #1  
Old 07-30-2009, 03:58 PM
34958hq439-qjw9v5jq298v5j
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Re: The beginning of the end for P2Ps/Torrent Sites?
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Originally Posted by Sean View Post
I'm not the only one who asserts this definition of theft. The dictionary does too.
The dictionary says that downloading an MP3 is the equivilent of shoplifting a CD? Whoa

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Originally Posted by Sean View Post
They're different.
How much different? If I tape songs off the radio I'm getting intellectual property that I didn't pay for, right?

Quote:
Originally Posted by Sean View Post
Are you for real? Why do I keep pressing the point that the cost involved in creating music goes far beyond the medium it's presented in? Because you keep insisting that digital music files have "zero" value! Whether you're being charged for a CD or a digital file, your payment goes towards defraying the costs of production, marketing, distribution, and possibly even turning a profit. So once you've taken possession of copyrighted music that's being sold by it's creator/owner, you owe them money. If you don't pay them, then you have taken that money from them. It is no longer your money - it's theirs, and keeping it is theft.
Okay, in that case, buying a used album is also immoral and selfish, because I didn't pay the creator/owner. It's not as cut and dry as 'they do have value' or 'they don't'. The reason why I use the example of downloading some obscene amount of music is to show the way in which they DON'T have value. Say I make a song and decide to sell it for 99 cents. What is that file worth? 99 cents multiplied by what? The amount of people who want to buy it? Say I make 10,000 copies of that file, what's it worth now? We're not talking about commissioned works or anything like that. Downloading music doesn't take it away from them.

Quote:
Originally Posted by Sean View Post
That's not the question. Of course the one ticket is a legitimate purchase that helps the artist out. But the stolen CD still doesn't. Why should artists be satisfied with only being paid a fraction of what's legally owed them? Because it's better than nothing? Bull ca-ca. Who else in the world would ever be expected to settle for that? Would you? If your employer only paid you for 2 days out of a 5 day work week and tried to justify it by saying "it's better than not getting paid at all", would you just respond with, "well that's true" and walk away, satisfied with the situation? After all, they haven't taken anything physical from you - only lines of code, or whatever you develop at the software company where you work. All they did was take your digital work without paying, so no one gets hurt, right? I doubt you would feel this argument was justified. Artists shouldn't be on the receiving end of such nonsense either.
That analogy doesn't work at all. I'm on a salary. Artists aren't. They aren't entitled to money just because they made some music. Again, your argument seems to be more geared towards commissioned works. They're not paying me to sit around coding whatever I want. As for the other argument - you're insisting that a guy who is given a copy of a disc and then goes on to buy a ticket IS directly hurting the artist. Lets say the disc and the ticket are $10 each. Scenario 1: before filesharing, guy does not get burned disc and does not go to the show. Artist is owed $0. Artist gets $0. Scenario 2: after filesharing, guy gets disc and goes. Artist is owed $20. Artist gets $10. Artist did the same amount of work both times. Yes, he was owed more, but he's getting something, and if not for this activity he would get nothing. Multiply this by a thousand and you can see how filesharing could be keeping artists alive.


Quote:
Originally Posted by Sean View Post
Of course you didn't respond at all to the fundamental problem I raised that runs through all three of your hypothetical examples, which is what I said earlier: "...ultimately, in all three scenarios, you're bizarrely trying to justify stealing one thing by paying for another. That just doesn't hold up to any kind of scrutiny. You're not the one who decides what you should pay for and what you should take for free - the people who own and provide the goods and services in question are. What in the world would make you feel like you're entitled to steal something from someone as long as you pay them for something else later on down the road?"
"Of course you didn't respond"...are you trying to make a point or win an argument? Again my answer is that I don't really feel like I'm 'entitled' to it, but I don't feel it's stealing either. It does justify it in my mind to know that the artists directly profit from what I'm doing and would not profit at all if I had not. Would any artist be seriously upset if someone who had never heard of the band downloaded two albums and bought one??

Quote:
Originally Posted by Sean View Post
Wait a second - you agree that it's legally wrong, and you agree that it's morally wrong? So then what are you fighting me on?
Well, it is copyright infringment. Whether it's morally wrong...I said maybe because I don't really know. You can argue it either way. Again you're arguing against something that could either hurt them or help them.

Quote:
Originally Posted by Sean View Post
As for what we should do about it, how about reasonably enforcing copyright laws? How about exercising personal responsibility in the ways we obtain our music? How about showing some common respect for the artists who's work we enjoy? You know, crazy stuff like that...
Of course, look I know I do MY part, but the thing is it's not going away. The public at large is gonna download because they're sick of being ripped off by the record companies, and of course the fact that many albums simply aren't available anymore. I remember asking for some obscure UW B-side on this very site a few years back, something way out of print, and instead what I got was an eBay link. Look, I understand not wanting to participate in filesharing on a forum like this, but the song isn't being sold, and probably won't in the future. Of course, you could argue that the song WILL be sold in the future and that's why I need to wait...fine, but why then direct me to a method that costs me money, lets someone else profit, and doesn't benefit the band at all?
  #2  
Old 07-30-2009, 07:27 PM
Sean
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Re: The beginning of the end for P2Ps/Torrent Sites?
Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Okay, in that case, buying a used album is also immoral and selfish, because I didn't pay the creator/owner. It's not as cut and dry as 'they do have value' or 'they don't'. The reason why I use the example of downloading some obscene amount of music is to show the way in which they DON'T have value. Say I make a song and decide to sell it for 99 cents. What is that file worth? 99 cents multiplied by what? The amount of people who want to buy it? Say I make 10,000 copies of that file, what's it worth now? We're not talking about commissioned works or anything like that. Downloading music doesn't take it away from them.
Well, you're clearly not willing to accept that there is an inherent debt owed to someone's who's work you have illegally obtained despite it's legal availability. The fact that we're discussing a digital file versus a physical product is fundamentally irrelevant, and I've given numerous reasons why. Repeating myself is getting extremely boring, so that's that.

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
That analogy doesn't work at all. I'm on a salary. Artists aren't. They aren't entitled to money just because they made some music.
What a cop-out. The analogy is appropriate enough to illustrate a valid point. Your contract (assuming you have one) stipulates that you get compensated with a certain amount of money in return for each week's work. It's not within your employer's rights to arbitrarily decide that they're only going to pay you for the work you did on Monday and Friday. Musicians have copyrights instead of contracts to guarantee that they get compensated for their work. Neither you or anyone else has the right to arbitrarily decide that you're only going to pay for two of the five files you're downloading from them.

And no, "they aren't entitled to money just because they made some music", but they are legally entitled to money if you've taken possession of that music once they've made it available for purchase.

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Lets say the disc and the ticket are $10 each. Scenario 1: before filesharing, guy does not get burned disc and does not go to the show. Artist is owed $0. Artist gets $0. Scenario 2: after filesharing, guy gets disc and goes. Artist is owed $20. Artist gets $10.
You left out the final element of scenario 2: "Artist has been robbed of other $10", as well as "Scenario 3: Artist is owed $20. Artist gets $20." Imagine that. Interesting that scenario 3 didn't even make your list....

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Artist did the same amount of work both times. Yes, he was owed more, but he's getting something, and if not for this activity he would get nothing. Multiply this by a thousand and you can see how filesharing could be keeping artists alive.
I see. So then to paraphrase, "Hey music-man - you did 'x' amount of work, for which you are charging $20. Well, screw that - I've determined that $10 is sufficient, so take it and be thankful you got anything at all." Nice. On behalf of myself and all the other professional artists out there, I'd like to not thank you.

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
"Of course you didn't respond"...are you trying to make a point or win an argument?
Just wanted a response to the central point I was making, because it appeared that you were dodging it.

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Again my answer is that I don't really feel like I'm 'entitled' to it, but I don't feel it's stealing either. It does justify it in my mind to know that the artists directly profit from what I'm doing and would not profit at all if I had not.
Okay, so then you believe it's okay to steal one thing from someone as long as you pay them for something else later on. I'm not, and neither are those who are being hurt by having their work stolen from them. Thanks to folks with similar beliefs to yours that this is somehow "not stealing", artists will continue to be hurt by this behavior whether you choose to acknowledge it or not.

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Would any artist be seriously upset if someone who had never heard of the band downloaded two albums and bought one??
Holy crap - that's what I've been saying has happened to musicians I personally know, not to mention to me directly! If it meant being robbed of the money they needed to keep their label running, or of being able to continue having a career in music, then abso-freakin'-lutely they (and I) would be (and are) upset! That you can actually sit there in the face of a professional musician who's telling you it specifically happened to them and to other professional musicians they know, and yet you still insist that there's no problem, is simply stunning!

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Of course, look I know I do MY part, but the thing is it's not going away. The public at large is gonna download because they're sick of being ripped off by the record companies, and of course the fact that many albums simply aren't available anymore. I remember asking for some obscure UW B-side on this very site a few years back, something way out of print, and instead what I got was an eBay link. Look, I understand not wanting to participate in filesharing on a forum like this, but the song isn't being sold, and probably won't in the future. Of course, you could argue that the song WILL be sold in the future and that's why I need to wait...fine, but why then direct me to a method that costs me money, lets someone else profit, and doesn't benefit the band at all?
Out of print stuff is another issue entirely. You're not hurting the artist if you're getting a free copy of something that's not even available to purchase. All I've been talking about is music that people choose to download for free despite it being readily available to legally purchase.

Think I'm done with this thread for a while. Not sure what more can be said than already has been. If people aren't getting it at this point, then it's probably not gonna be got.
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Last edited by Sean; 07-30-2009 at 07:35 PM.
  #3  
Old 07-30-2009, 11:28 PM
Strangelet
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Re: The beginning of the end for P2Ps/Torrent Sites?
Quote:
Originally Posted by Sean View Post
Think I'm done with this thread for a while. Not sure what more can be said than already has been. If people aren't getting it at this point, then it's probably not gonna be got.
Like I said... the patience of job. I'm just completely floored the kind of logic being employed by some people here. And how patiently you trashed their shit. I just can't do it....

If you want to download that's one thing. Being completely unwilling to recognize its stealing it blows my fucking mind.

Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
Artists aren't. They aren't entitled to money just because they made some music.
un-fucking-believable.
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  #4  
Old 07-31-2009, 01:00 AM
jOHN rODRIGUEZ
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Re: The beginning of the end for P2Ps/Torrent Sites?
I've given up reading this thread. It's increased my smoking habit.

Other than the posts that are short and/or funny.
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  #5  
Old 07-31-2009, 08:06 AM
34958hq439-qjw9v5jq298v5j
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Re: The beginning of the end for P2Ps/Torrent Sites?
Quote:
Originally Posted by Strangelet View Post
Like I said... the patience of job. I'm just completely floored the kind of logic being employed by some people here. And how patiently you trashed their shit. I just can't do it....

If you want to download that's one thing. Being completely unwilling to recognize its stealing it blows my fucking mind.
Call it what you want. Then I will call you a dirty thief for all those used CDs you bought that ripped money directly out of the artists pockets. Because apparently you can steal without actually taking anything away from anyone. I'm not saying we shouldn't support the artists. I'm not even saying that downloading isn't on morally shaky ground. I'm just arguing that downloading some artist's music is not like going into their house and stealing their TV. I'm saying that music's value is determined by the public and is nothing like contracted or commissioned work.
  #6  
Old 07-31-2009, 08:13 AM
34958hq439-qjw9v5jq298v5j
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Re: The beginning of the end for P2Ps/Torrent Sites?
Quote:
Originally Posted by 34958hq439-qjw9v5jq298v5j View Post
I'm saying that music's value is determined by the public and is nothing like contracted or commissioned work.
I already know how you're going to respond to this and it's going to miss the point, so let me make myself clear. The artist can determine how much it's going to sell for, but the public decides how many are going to be sold. Multiply those numbers and that's the value.
  #7  
Old 07-31-2009, 08:44 AM
Jan
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Re: The beginning of the end for P2Ps/Torrent Sites?
Quote:
Originally Posted by Strangelet View Post
Being completely unwilling to recognize its stealing it blows my fucking mind.
Please, "stealing" is the wrong word here. You are infringing on copyright not stealing.

To make it perfectly clear: According to Marriam-Webster, theft is:
Code:
the act of stealing. specifically: "the felonious taking and removing of  personal property with intent to deprive the rightful owner of it"
"with intent to deprive the rightful owner of it" are the magic words here.
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  #8  
Old 07-31-2009, 11:02 AM
jOHN rODRIGUEZ
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Re: The beginning of the end for P2Ps/Torrent Sites?
I need a cigarette.
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  #9  
Old 07-31-2009, 07:38 AM
34958hq439-qjw9v5jq298v5j
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Re: The beginning of the end for P2Ps/Torrent Sites?
Quote:
Originally Posted by Sean View Post
What a cop-out. The analogy is appropriate enough to illustrate a valid point. Your contract (assuming you have one) stipulates that you get compensated with a certain amount of money in return for each week's work. It's not within your employer's rights to arbitrarily decide that they're only going to pay you for the work you did on Monday and Friday. Musicians have copyrights instead of contracts to guarantee that they get compensated for their work. Neither you or anyone else has the right to arbitrarily decide that you're only going to pay for two of the five files you're downloading from them.
It's not a cop-out; the analogy simply does not work. At all. Does a musician have a contract saying that they are owed X amount of dollars for simply making a copyrighted work? Musicians get paid based on what the fanbase decides they are worth! I get paid regardless of whether or not my work makes the company lose money or make money. That's because I am being commissioned to do it. Musicians are not. What is the set value of a piece of music? A buck for each person who downloads it? So if someone writes a bad song but markets it well, is his music more valuable than the guy who writes good music but can't get the word out?

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Originally Posted by Sean View Post
You left out the final element of scenario 2: "Artist has been robbed of other $10", as well as "Scenario 3: Artist is owed $20. Artist gets $20." Imagine that. Interesting that scenario 3 didn't even make your list....
How is that interesting? I'm not saying I'm in favor of everyone downloading albums and not paying for them. I'm just saying; this is a real world scenario. In reality, this person is not going to pay for a disc a friend made for him. In scenario 1, he makes no money. In scenario 2, he does. Scenario 3 is not an option because it's dealing with a person who isn't going to buy the disc anyway. If you were chief of police and you needed to come up with something to curb speeders would your solution be, "people should just not speed!" I'm just saying, copyright infrigement is going to happen. There is not going to be a way to stop it. However the effects of it are debateable. This scenario is one in which the artist is clearly benefitting from it.

Quote:
Originally Posted by Sean View Post
I see. So then to paraphrase, "Hey music-man - you did 'x' amount of work, for which you are charging $20. Well, screw that - I've determined that $10 is sufficient, so take it and be thankful you got anything at all." Nice. On behalf of myself and all the other professional artists out there, I'd like to not thank you.
I actually think most musicans would be thankful. You're acting as though they're being commissioned and then short changed. We're not talking dedicated fans who normally buy the new discs but now don't. Clearly that is hurting the artist. We're talking a scenario where an artist makes money where previously he would make none. The fact that you don't even recognize this is curious.

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Originally Posted by Sean View Post
Holy crap - that's what I've been saying has happened to musicians I personally know, not to mention to me directly! If it meant being robbed of the money they needed to keep their label running, or of being able to continue having a career in music, then abso-freakin'-lutely they (and I) would be (and are) upset! That you can actually sit there in the face of a professional musician who's telling you it specifically happened to them and to other professional musicians they know, and yet you still insist that there's no problem, is simply stunning!
You see, it doesn't mean being robbed of anything. Okay, so I d/l 2 of your CDs, and pay for one. You are not making the money you're entitled to. Fine. But if I didn't download any of them, you make nothing. You didn't do more or less work because of it. You go broke and can't continue to make music, but at least you're not being robbed of anything. You can sleep well knowing your intellectual property is safe.

The thing is that smaller musicians don't really have any sort of guarantee for an amount of copies they will sell. Say you sell an album for $10. 50 people buy it and 450 download it. You will say, see, I only made $500, if not for downloading I would have made $5000! That is what we call a logical fallacy. Any non-RIAA commissioned study into the effects of file sharing on the sales of music say, if anything, it either benefits the artists or has no real discernable effect. You will argue that without downloading, you would have sold 500 copies. I will argue that you will have sold 20. How do you prove your point?

And I find it interesting that you're ducking the issue of selling used CDs and records - how is this okay while filesharing is not?
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