Quote:
Originally Posted by industri_studios
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What Sherburne touches on about Kittens is what i almost started a separate thread about (and in fact it'd be fun to have a whole thread dedicated to individual tracks in some interesting/personal perspective way), but couldn't capably condense my nebulous vibes&thoughts on it enough to justify making a whole thread.
KITTENS.
it's a bit of a awkward bastard in 2017 isn't it? it used to be a head-floating bigtime highlight for me, but in the last decade or so a bad notion started creeping up, that it might but be...
extraordinarily cheeseball. and not in the "all in good fun" kind.
individually, there's nothing wrong with earnestness, big statements, escalating synths, and the hard beat, but put together in this kind of package, it's the one on beaucoup fish that feels the most dated. if it's techno, it equates to a noxious, neverending fistpump. if it's underworld, it's pretty juvenile. if it's a stadium banger, it's almost cynical? what does this track do that Cherry Pie doesn't also indulge in with better results?
maybe it just all circles back to Sherburne's off-handed diagnosis: those fucking crash cymbals.