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Re: The Role of the Passerby in Literature & Film
why focus on the sex distinction of the passerby. Why can't you also make a big point about it being all humans, therefore all races, religions, social classes, etc.
and also why not treat passersby as props? in which case passersby are and should be part of the mood? a gothic fire place for a gothic novel, or a clown passerby for a comic novel, etc.
anyway what the fuck made you think about this?
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