Quote:
Originally Posted by the mongoose
Little Speaker (track on regular AHDO) at around 3:05 into the song, the beat goes noticeably offbeat for a few seconds.
I like it. 
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Remember reading an interview, i think it was "Keyboard" magazine, where Rick and Karl explained that they spent a lot of time moving around the percussion to make it sound more "live". The off-beat percussion never bothered me, and as a producer myself, sometimes, it can add a bit of dramatics beyond the 4-4.
Beyond the obvious differences, i think i'm most enjoying TMO - i hear a different pattern before the main chords come in.